'Hippie Culture Essay\r'

'Few sociable works tag the twentieth century in the unify States as the withstand movement of the 1960s. However, patronage the scope and scale of such a wide movement that encapsulated so some(prenominal) different populates and causes, including voting rights, women’s rights, courtly rights, and ending the war in Vietnam, the movement is smash kn feature by a stereotype of the type of people that tickmed so instrumental in perpetuating the movement: hippys.\r\nthough the great majority of those in the protest movement were not hippys, the movies, pr processice of medicine, and cultural events that tag the times were dominated by hippie civilization, and a few(prenominal) events represented this fact as the stereotype-reinforcing Woodstock Music Festival. By the time Woodstock happened in 1969, the hippie movement was already something that had been suppuration the entire decade and close people who were not hippies had a entire idea what a hippie was. If virtuoso would absorb to describe a hippie then, it could be said to be a unfledged man or womanhood that was dirty, hairy, unemployed, and on drugs.\r\nWhile these argon alone a few attri merelyes ascribed to a few hippies, the stereotypes became so strong that they were hard to take in from the other significant contri just nowions they made, including in medication, art, burnish, and social awareness. So, while hippies were furthest much than complex than most people chose to see them, they were pigeonholed to the stereotype of spoiled middle-class kids with besides much time and freedom, and who refused to do their nationalistic duties as their mothers and fathers had done before them, most specifically by starting families and flake in the country’s wars.\r\nHowever, the decade leading up to Woodstock only helped repay legion(predicate) of these stereotypes. Hippie culture could have been said to begin the words and ideas of the flog writers such as Allen Ginsberg, Jack Kerouac, and others. These writers place the foundation for the rebellious, anti-establishment ideals that would come to be so strongly embraced by the hippie culture during the 1960s. However, it would be Bob Dylan, who was strongly influenced by the Beats, who would use their ideas in his class practice of medicine.\r\nDylan’s popularity not only made syndicate symphony popular, just his songwriting besides tackled many another(prenominal) of the issues of the time, including war, civil rights, and the basic questions of whether America was psyche in the right direction, and if not, why. Dylan’s music influenced the songwriting of almost every major arrangement artist that came after him, or at least any that achieved any measuring rod of success. Through Dylan and those he influenced, music became the first-year defining characteristic of hippie culture, show a pertinacious history of music defining cultural movements and times by its almost unearthly effect on those that listen to it.\r\nReligious beat backs, like art, music, and everything that inspires assortment as sacred, Emile Durkheim (1965) writes: â€Å"do not provide the manner in which physical things usurp our senses, but the focusing in which the corporate consciousness acts upon individual consciousnesses” (1965, p. 254). Music has the big businessman to act as a type of this collective consciousness, bringing the masses together to celebrate a shared philosophy or perspective. While many vie that art and music is nothing more than an escape from the everyday anxieties that life offers up, it is far more than that.\r\nSimilar to the sacred in religion, which Durkheim asserts is not rooted in revere as humanist and existentialist theorists claim, but in the idealism of the collective mentality, music becomes sacred when presented in a way that appeals to the individual and the collective. Music and those who perform it act in ways similar to religious totems, representing the ideals of the collective and how they inhabit the individual, and take their grow in exhalation and celebration. According to Durkheim, â€Å"In fine, the sentiments at the root of totemism are those of able confidence rather than terror and abridgement” (1965, p. 56).\r\nMusic became the inspiration for hippie culture and gave them the confidence to fight back against ideals they apothegm as wrong, including the Vietnam War. There was no better representation of this than Woodstock. The Woodstock Music & device Festival that took place on a farm near Woodstock, New York, opulent 15 through August 18, 1969 not only assembled some of the greatest rock, pop, and folk musicians of the day, but also had a one-half million enthusiastic young and aged fans celebrating life and music in a concert that changed the way the younger generation was viewed.\r\nAfter Woodstock, the burgeoning counter culture blow up into the mainst ream, as the entire United States completed that the hippie culture was a force that could not be ignored, and its icons such as The Who, Crosby, Stills, and Nash, and Jimi Hendrix reinforced many of the stereotypes of long hair, rash behavior, and sexuality. Woodstock would become a legendary thigh-slapper of drug use, sexual intercourse, nudity, and mud, but also of peace, love, and a general togetherness that also characterized hippie culture. Another popular stereotype was the hippie general disregard for all authority, and Woodstock was no different.\r\nOver one-hundred thousand tickets had been sold to the event, but soon fans were crashing over fences and simply began blow in to see the show (Woodstock. com, 2009). However, on that point were very few incidents of violence and the fete went on to become one of the iconic points in the culture of the 1960s. It also label the beginning of the end of hippie culture. Woodstock was the hold up hurrah for a generation of youn g men and women that did their best to rebel against the preliminary generations and create their own persona.\r\nUnfortunately, stereotypes were rich and long concerning hippie culture, and Woodstock did well to encourage both the good and bad stereotypes. They displayed their amazing music and free-loving culture, but also their drug curse and contentment with filth. By the time the mid-seventies began, hippie culture was all but dead, even though many of the hippies continued to live on. Today, hippies are seen as largely a parody and very superficial, which may speak of their last-ditch failure to live up to their own ideals.\r\nThe country is until now largely right in many regards, still refuses many of the ideals of peace and love that the hippies inspired, and is still at war with foreign countries. hipsters are now seen in sophisticated form as environmentalists, annoying activists for un-American or unethical causes, potheads or vegetarians. hipsters are no longe r seen as a viable threat to the conservative ideals of the United States, and have in issue become all style and no substance. While stereotypes helped perpetuate the romantic whimsicality of the idealistic hippie, they just as as helped destroy a notion that neer really existed in the first place.\r\n'